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By having the music play through the action a dreamlike haze grows between the viewer and the screen, creating the feeling that we could be watching an old silent film, or even watching a memory unfold.
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The Main Theme plays across the opening sequence, speaking to the overall emotion of the sequence as opposed to the dramatic action – we immediately empathise with Joel as he struggles to begin his monotonous daily routine. In contrast, the Train Cue deliberately distorts and violates Gorbman’s idea of ‘inaudibility’ and the classical principles of underscoring dialogue. 3), provides continuity and unity both within the opening sequence and across the film as a whole, and helps to define and clarify the narrative structure of the film. In many ways the Main Theme cue is typical of a Golden Age score’s opening titles it sets the emotional tone (nostalgic and whimsical) and genre (essentially a romantic love story with a twist), describes the narrative arc of the story (fig. The Train Cue shows Brion’s quirkiness at its extreme, and the lyrical significance of Clem’s acapella rendition of “Oh My Darlin’ Clementine” unfolds throughout the film’s narrative. The Focus Logo draws us in, the out of focus ‘O’ hinting at the memory wiping procedure that has proceeded the beginning of the film, before the Main Theme’s wayward piano begins – setting the wistful emotional tone. The four cues in the opening sequence give a good snapshot of the musical eclecticism to come. Just as the film both conforms to and distorts traditional narrative structure, Brion’s score both conforms to and distorts classical film scoring principles.
Eternal sunshine of the spotless mind analysis movie#
Jon Brion’s score to Eternal Sunshine for the Spotless Mind is as whimsical and quirky as the movie itself.